About
Bringing Drama & Arts to Life
Catherine Sheridan is a leading force in Irish Drama and Arts in Education, with a near three-decade career inspiring individuals and communities across the country and beyond. A multifaceted arts professional, Catherine is a facilitator, director, playwright, actor, drama lecturer, producer, project manager, arts consultant, and mentor. Her extensive expertise across these disciplines positions her as a knowledgeable and credible figure, capable of developing and delivering impactful programmes for diverse audiences. She is recognised for creating and implementing innovative programmes that not only inspire young minds and foster artistic growth but also equip individuals and organisations with valuable skills for success in the 21st century.
Her work translates to a deep understanding of fostering potential, enhancing communication, and building effective teams – skills highly valued by businesses and organisations. Her leadership is evident in her roles as National Trainer for Creative Clusters with the Department of Education, Creative Associate with the Arts Council of Ireland, and founder and Artistic Director of the Roscommon County Youth Theatre. These positions highlight her influence within the field and her commitment to developing future leaders.
Catherine holds a Master’s degree in Drama and Performance from University College Dublin and a Diploma in Drama, Arts, and Theatre Studies from Maynooth University.
Her collaboration with esteemed institutions across Ireland, including Mary Immaculate College, UL, NUI Galway, The Arts Council, the Department of Education and Skills, the ESCI Network, Oide, Creative Ireland, Youth Theatre Ireland, various Local Authorities, and a number of arts bodies including The Abbey Theatre, The Drama League of Ireland, Calipo Picture & Film Company, and Branar, demonstrates her ability to work effectively within diverse settings and build strong partnerships. Her international training with renowned practitioners like Frantic Assembly, Anne Bogart, and the SITI Theatre Company, coupled with her studies at the Theatre Union of the Russian Federation in Moscow and masterclasses with theatre professionals across England, Ireland, and Scotland, brings a global perspective and exposure to best practices to her work across theatre, arts education, and creativity.
Unlocking the gifts of Creativity and Collaboration
Within the creative industries, Catherine’s skillsets bring a transformative power to organisations. Through a unique blend of expert facilitation, boundless creativity, and deep education, her workshops and consultancy services sculpt a dynamic vision for businesses and organisations, cultivating:
Having directed almost 50 productions, Catherine’s notable works include The Crucible, Animal Farm, Romeo and Juliet, Alice in Wonderland, The Railway Children, Seven Jewish Children, The House of Oedipus, Dancing at Lughnasa, and The Devil in Drag. Her playwright credits include Soulmates, Tell Me a Story, If I Was in the GPO We Would Have Won, Pay the Price, and her most recent work, Open Your Mouth.
Through her tireless dedication to the arts, Catherine Sheridan continues to be a transformative force in the creative community, inspiring the next generation of artists and educators. Contact Catherine to discuss how she can help your organisation achieve its goals.
“It is always a pleasure working with Catherine. As Principal, I saw first-hand how effective she is at overseeing whole school change in the Arts”
“Catherine has a notable ability to connect with young people and foster a love of the arts and creativity. Her work as Artistic Director of Roscommon County Youth Theatre has enhanced members’ theatre skills on and off stage and boosted their confidence and teamwork abilities.”
“In her workshops, Catherine fearlessly brings waves of creative energy to the room carrying participants way beyond any inhibitions or self-imposed limitations to explore their own creativity through theatre and drama.”
“I have known Catherine since she first started working in youth theatre. In all that time I have never come across anyone more dedicated and hardworking. Central to her approach is a commitment to ensuring that the work of young people is regarded with the same significance and value as any other theatre work.”
